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"The Project Gutenberg eBook of The Letter of the Contract, by Basil King. The Project Gutenberg EBook of The Letter of the Contract, by Basil King This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Letter of the Contract Author: Basil King Release Date: January 25, 2007 [EBook #20443] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE LETTER OF THE CONTRACT *** Produced by Roger Frank and the Online Distributed Proofreading Team at http://www.pgdp.net "Can’t you see that my heart’s breaking, too?" She looked him in the face, shaking her head, sadly. "No, I can’t see that." [See p. 29] -1- The Project Gutenberg eBook of The Letter of the Contract, by Basil King. THE LETTER OF THE CONTRACT BY BASIL KING AUTHOR OF The Inner Shrine ILLUSTRATED HARPER & BROTHERS PUBLISHERS NEW YORK AND LONDON MCMXIV -2- The Project Gutenberg eBook of The Letter of the Contract, by Basil King. Books by the AUTHOR OF "THE INNER SHRINE" [BASIL KING] The Letter of the Contract. Ill’d The Way Home. Illustrated The Wild Olive. Illustrated The Inner Shrine. Illustrated The Street Called Straight. Ill’d Let Not Man Put Asunder. Post 8vo In the Garden of Charity. Post 8vo The Steps of Honor. Post 8vo The Giant’s Strength. Post 8vo HARPER & BROTHERS, NEW YORK COPYRIGHT, 1914. BY HARPER & BROTHERS PRINTED IN THE UNITED STATES OF AMERICA PUBLISHED AUGUST, 1914 Contents CHAP I TRANSGRESSION II RESENTMENT III REPROACH IV DANGER V PENALTY PAGE 1 41 83 134 160 Illustrations "Can’t you see that my heart’s breaking, too?" She looked him in the face, shaking her head, sadly. "No, I can’t see that." He turned from the girl to his wife. "I’m willing to explain anything you like—as far as I can." "Oh, Chip, go away! I can’t stand any more—now." "Do you mean that you’ll see me—later—when we’re in London?" Edith was standing in the doorway, the man behind her. "Chip, Mr. Lacon knows we met in England." Frontispiece 25 155 191 -3- The Project Gutenberg eBook of The Letter of the Contract, by Basil King. THE LETTER OF THE CONTRACT 1 I TRANSGRESSION It was strange to think that if, on finishing her coffee in her room, she had looked in on the children, as she generally did, instead of going down to the drawing-room to write a note, her whole life might have been different. "Why didn’t I?" was the question she often asked herself in the succeeding years, only to follow it with the reflection: "But perhaps it would have happened in any case. Since the fact was there, I must have come to know it—in the long run." The note was an unimportant one. She could have sent it by a servant at any minute of the day. The very needlessness of writing it2 at once, so that her husband could post it as he went to his office, gave to the act something of the force of fate. Everything that morning, when she came to think of it, had something of the force of fate. Why, on entering the drawing-room, hadn’t she gone straight to her desk, according to her intention, if it wasn’t that fate intervened? As a matter of fact, she went to the oriel window looking down into Fifth Avenue, with vague thoughts of the weather. It was one of those small Scotch corner windows that show you both sides of the street at once. It was so much the favorite conning-spot of the family that she advanced to it from habit. And yet, if she had gone to her desk, that girl might have disappeared before the lines of the note were penned. As it was, the girl was there, standing as she had stood on other occasions—three or four, at least—between the two little iron posts that spaced off the opening for foot-passengers into the Park. She was looking up at the house in the way Edith had noticed before—not with the scrutiny of one who wishes to see, but with the forlorn patience of the unobtrusive creature hoping to be seen.3 In a neat gray suit of the fashion of 1904 and squirrel furs she was the more unobtrusive because of a background of light snow. She was pathetically unobtrusive. Not that she seemed poor; she suggested, rather, some one lost or dazed or partially blotted out. People glanced at her as they hurried by. There were some who turned and glanced a second time. She might have been a person with a sorrow—a love-sorrow. At that thought Edith’s heart went out to her in sympathy. She herself was so happy, with a happiness that had grown more intense each month, each week, each day, of her six years of married life, that it filled her imagination with a blissful, pitying pain to think that other women suffered. The pity was sincere, and the bliss came from the knowledge of her security. She felt it wonderful to have such a sense of safety as that she experienced in gazing across the street at the girl’s wistful face. It was like the overpowering thankfulness with which a man on a rock looks on while others drown. It wasn’t callousness; it was only an appreciation of mercies. She was genuinely sorry for the girl, if the girl needed sorrow; but she didn’t see what she4 could do to help her. It was well known that out in that life of New York—and of the world at large—there were tempests -4- The Project Gutenberg eBook of The Letter of the Contract, by Basil King. of passion in which lives were wrecked; but from them she herself was as surely protected by her husband’s love as, in her warm and well-stored house, she was shielded from hunger and the storm. She accepted this good fortune meekly and as a special blessedness; but she couldn’t help rejoicing all the more in the knowledge of her security. The knowledge of her security gave luxury to the sigh with which she turned in the course of a few minutes to write her note. The desk stood under the mirror between the two windows at the end of the small back drawing-room. The small back drawing-room projected as an ell from the larger one that crossed the front of the house. She had just reached the words, "shall have great pleasure in accepting your kind invitation to—" when she heard her husband’s step on the stairs. He was coming up from his solitary breakfast. She could hear, too, the rustle of the newspaper in his hand as he ascended, softly and tunelessly whistling. The sound of that whistling, which generally accompanied5 his presence in the house, was more entrancing to her than the trill of nightingales. The loneliness her fancy ascribed to the girl over by the Park emphasized her sense of possession. She raised her head and looked into the mirror. The miracle of it struck her afresh, that the great, strong man she saw entering the room, with his brown velvet house-jacket and broad shoulders and splendid head, should be hers. She herself was a little woman, of soft curves and dimpling smiles and no particular beauty; and he had stooped, in his strength and tenderness, to make her bone of his bone and flesh of his flesh, as she had become. And he had become bone of her bone and flesh of her flesh. She was no more his than he was hers. That was the great fact. She was no longer content with the limited formula, "They twain shall be one flesh"; they twain had become one spirit and one life. It was while asserting this to herself, not for the first time, that she saw him start. He started back from the window—the large central window—to which he had gone, probably with vague thoughts of the weather, like herself. It was the manner of his start that chiefly attracted6 her attention. After drawing back he peered forward. It was an absurd thing to think of him; she knew that—of him of all people!—but one would almost have said that, in his own house, he shrank from being seen. But there was the fact. There was his attitude—his tiptoeing—his way of leaning toward the mantelpiece at an angle from which he could see what was going on in the Park and yet be protected by the curtain. Then it came to her, with a flush that made her tingle all over, that she was spying on him. He thought her in the children’s room up-stairs, when all the while she was watching him in a mirror. Never in her life had she known such a rush of shame. Bending her head, she scribbled blindly, "dinner on Tuesday evening the twenty-fourth at—" She was compelled by an inner force she didn’t understand to glance up at the mirror again, but, to her relief, he had gone. Later she heard him at the telephone. To avoid all appearance of listening she went to the kitchen to give her orders for the day. On her return he was in the hall, dressed for going out. Scanning his face, she thought he looked suddenly care-worn.7 "I’ve ordered a motor to take me downtown," he explained, as he pulled on his gloves. He generally took the street-car in Madison Avenue. -5- The Project Gutenberg eBook of The Letter of the Contract, by Basil King. "Aren’t you well?" she thought it permissible to ask. "Oh yes; I’m all right." "Then why—?" He made an effort to be casual: "Well, I just thought I would." She had decided not to question him—it was a matter of honor or pride with her, she was not sure which—but while giving him the note to post she ventured to say, "You’re not worried about anything, are you?" "Not in the least." He seemed to smother the words by stooping to kiss her good-by. She followed him to the door. "You’d tell me, wouldn’t you, if you were worried?" For the second time he stooped and kissed her, again smothering the words, "Yes, dear; but I’m not." She stood staring at the glass door after he had closed it behind him. "Oh, what is it?" she questioned. Within less than an hour the world had become peopled with fears, and all8 she could do was to stare at the door through which she could still see him dimly. She could see him dimly, but plainly, for the curtain of patterned filet-work hanging flat against the glass was almost transparent from within the house, though impenetrable from outside. Was it her imagination that saw him look cautiously round before leaving the protection of the doorway? Was it her imagination that watched while he crossed the pavement hurriedly, to spring into the automobile before he could be observed? Was it only the needless alarm of a foolish woman that thought him anxious to reach the shelter of the motor lest he should be approached or accosted? She tried to think so. It was easier to question her own sanity than to doubt him. She would not doubt him. She assured herself of that as she returned to her post in the oriel window. The girl in gray was gone, and down the long street, over which there was a thin glaze of ice, the motor was creeping carefully. She watched it because he was inside. It was all she should see of him till nightfall. The whole of the long day must be passed with this strange new something in her heart—this something that wasn’t9 anything. If he would only come back for a minute and put his arms about her and let her look up into his face she would know it wasn’t anything. She did know it; she said so again and again. But if he would only discover that he had forgotten something—a handkerchief or his cigar-case; that did happen occasionally.... And then it was as if her prayer was to be answered while still on her lips. Before the vehicle had got so far away as to be indistinguishable from other vehicles she saw it stop. It stopped and turned. She held her breath. Slowly, very slowly, it began to creep up the gentle slope again. She supposed it must be the treacherous ground that made it move at such a snail’s pace. It moved as if the chauffeur or his client were looking for some one. Gradually it drew up at the curb. It was the curb toward the Park—and from another of the little openings with iron posts to space them off appeared the girl in gray. -6- The Project Gutenberg eBook of The Letter of the Contract, by Basil King. She advanced promptly, as if she had been called. At the door of the car she stood for a few minutes in conversation with the occupant. For one of the parties at least that method of communication was apparently not10 satisfactory, for he stepped out, dismissed the cab, and accompanied the girl through the little opening into the Park. In a second or two they were out of sight, down one of the sloping pathways. During the next two months Edith had no explanation of this mystery, nor did she seek one. After the first days of amazement and questioning she fell back on what she took to be her paramount duty—to trust. She argued that if he had seen her in some analogous situation, however astounding, he would have trusted her to the uttermost; and she must do the same by him. There were ever so many reasons, she said to herself, that would not only account for the incident, but do him credit. The girl might be a stenographer dismissed from his office, asking to be reinstated; she might be a poor relation making an appeal; she might be a wretched woman toward whom he was acting on behalf of a friend. Such cases, and similar cases, arose frequently. The wonder was, however, that he never spoke of it. There was that side to it, too. It induced another order of reflection. He11 was so much in the habit of relating to her, partly for her amusement, partly for his own, all the happenings, both trivial and important, of each day, that his silence with regard to this one, which surely must be considered strange—strange, if no more—was noticeable. A wretched woman toward whom he was acting on behalf of a friend! It surely couldn’t, couldn’t be a wretched woman toward whom he was acting, not on behalf of a friend, but.... That it might be all over and done with would make no difference. Of course it was all over and done with—if it was that. No man could love a woman as he had loved his wife during the past six or seven years, and still—But it wasn’t that. It never had been that. If it had been—even before they were married, even before he knew her—But she would choke that thought back. She would choke everything back that told against him. She developed the will to trust. She developed a trust that acted on her doubts like a narcotic—not solving them, but dulling their poignancy into stupor. So March went out, and April passed, and12 May came in, with leaves on the trees and tulips in the Park, and children playing on the bits of greensward. She had walked as far as the Zoo with the two little boys, and, having left them with their French governess, was on her way home. People were in the habit of dropping in between four and six, and of late she had become somewhat dependent on their company. They kept her from thinking. Their scraps of gossip provided her, when she talked to her husband, with topics that steered her away from dangerous ground. He himself had given her a hint that a certain ground was dangerous; and, though he had done it laughingly, she had grown so sensitive as to see in his words more perhaps than they meant. She had asked him a question on some subject—she had forgotten what—quite remote from the mystery of the girl in gray. Leaning across the table, with amusement on his lips and in his eyes, he had replied: "Don’t you remember the warning? ’Where the apple reddens Never pry, Lest we lose our Edens, Eve and I.’" -7- The Project Gutenberg eBook of The Letter of the Contract, by Basil King. 13 Inwardly she had staggered from the words as if he had struck her, though he had no reason to suspect that. In response she merely said, pensively: "En sommes nous lá?" "En sommes nous—where?" "Where the apple reddens." "Oh, but everybody’s there." "You mean all married people." "Married and single." "But married people more than single." "I mean that we all have our illusions, and we’d better keep them as long as possible. When we don’t—" "We lose our Edens." "Exactly." "So that our Edens are no more than a sort of fool’s paradise." "Ah, no; a sort of wise man’s paradise, in which he keeps all he’s been able to rescue from a wicked world." She was afraid to go on. She might learn that she and their children and their home and their happiness had been what he had been able to rescue from a wicked world—and that wouldn’t have appeased her. Her thoughts would have been of the wicked world from14 which he had escaped more than of the paradise in which he had found shelter. She was no holy Elisabeth, to welcome Tannhäuser back from the Venusberg. That he should have been in the Venusberg at all could be only a degree less torturing to her than to know he was there still. So she kept away from subjects that would have told her more than she feared already, taking refuge in themes she had once considered vapid and inane. To miss nothing, she hurried homeward on that May afternoon, so as to be beside her tea-table in the drawing-room before any one appeared. And yet, the minute came when she cast aside all solicitudes and hesitations. Going up the pathway leading to the opening opposite her house, she noticed a figure standing between the two iron posts. It was not now a figure in gray, but one in white—in white, with a rose-colored sash, and carrying a rose-colored parasol. Edith quickened her pace unconsciously, urged on by fear lest the girl should move away before she had time to reach her. In spite of a rush of incoherent emotions she was able to reflect that she was15 perfectly cool, entirely self-possessed. She was merely dominated by a need—the need of coming face to face with this person and seeing who she was. She had no idea what she herself would do or say, or whether or not she would do or say anything. That was secondary; it would take care of itself. The immediate impulse was too imperative to resist. She must at least see, even if nothing came of her doing so. -8- The Project Gutenberg eBook of The Letter of the Contract, by Basil King. If she had any thought of a resulting consequence it was in the assumption that her presence as wife and woman of the world would dispel the noxious thing she had been striving to combat for the past two months, as the sun dissipates a miasma. But her approaches were careful and courteous. She, too, carried a parasol, negligently, gracefully, over the shoulder. It served to conceal her face till she had passed the stranger by a pace or two and glanced casually backward. She might have done so, however, with full deliberation, for the woman took no notice of her at all. Her misty, troubled blue eyes, of which the lids were red as if from weeping, were fixed on the house across the way. Edith saw now that, notwithstanding a certain16 youthfulness of dress and bearing, this was a woman, not a girl. She was thirty-five at least, though the face was of the blond, wistful, Scandinavian type that fades from pallor to pallor without being perceptibly stamped by time. It was pallor like that of the white rose after it has passed the perfection of its bloom and before it has begun to wither. Edith paused, still without drawing the misty eyes on herself. "Do you know the people in that house?" she asked, at last. The woman looked at her, not inquiringly or with much show of comprehension, but vaguely and as from a distance. Edith repeated the question. The thin, rather bloodless lips parted. The answer seemed to come under compulsion from a stronger will: "I—I know—" "You know the gentleman." The pale thin lips parted again. After a second or two there was a barely audible "Yes." "I’m his wife." There was no sign on the woman’s part either of surprise or of quickened interest.17 There was only the brief hesitation that preceded all her responses. "Are you?" "You knew he was married, didn’t you?" "Oh yes." "Have you known him long?" "Eleven years." "..."

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