"The Project Gutenberg EBook of Legends of the Middle Ages, by H.A. Guerber This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Legends of the Middle Ages Narrated with Special Reference to Literature and Art Author: H.A. Guerber Release Date: May 27, 2004 [EBook #12455] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK LEGENDS OF THE MIDDLE AGES ***
Produced by Ted Garvin, Robert Morse and PG Distributed Proofreaders
[Illustration: CORONATION OF CHARLEMAGNE.--Levy.]
LEGENDS OF THE MIDDLE AGES NARRATED WITH SPECIAL REFERENCE TO LITERATURE AND ART BY H.A. GUERBER "Saddle the Hippogriffs, ye Muses nine, And straight we'll ride to the land of old Romance" WIELAND 1896 DEDICATED TO MY SISTER ADELE E. GUERBER "Men lykyn jestis for to here, And romans rede in diuers manere "Of Brute that baron bold of hond, The first conqueroure of Englond; Of kyng Artour that was so riche, Was non in his tyme him liche.
"How kyng Charlis and Rowlond fawght With sarzyns nold they be cawght; Of Tristrem and of Ysoude the swete, How they with love first gan mete; "Stories of diuerce thynggis, Of pryncis, prelatis, and of kynggis; Many songgis of diuers ryme, As english, frensh, and latyne." _Curser Mundi_. PREFACE.
The object of this work is to familiarize young students with the legends which form the staple of mediaeval literature. While they may owe more than is apparent at first sight to the classical writings of the palmy days of Greece and Rome, these legends are very characteristic of the people who told them, and they are the best exponents of the customs, manners, and beliefs of the time to which they belong. They have been repeated in poetry and prose with endless variations, and some of our greatest modern writers have deemed them worthy of a new dress, as is seen in Tennyson's "Idyls of the King," Goethe's "Reineke Fuchs," Tegn�r's "Frithiof Saga," Wieland's "Oberon," Morris's "Story of Sigurd," and many shorter works by these and less noted writers. These mediaeval legends form a sort of literary quarry, from which, consciously or unconsciously, each writer takes some stones wherewith to build his own edifice. Many allusions in the literature of our own day lose much of their force simply because these legends are not available to the general reader. It is the aim of this volume to bring them within reach of all, and to condense them so that they may readily be understood. Of course in so limited a space only an outline of each legend can be given, with a few short quotations from ancient and modern writings to illustrate the style of the poem in which they are embodied, or to lend additional force to some point in the story. This book is, therefore, not a manual of mediaeval literature, or a series of critical essays, but rather a synopsis of some of the epics and romances which formed the main part of the culture of those days. Very little prominence has been given to the obscure early versions, all disquisitions have been carefully avoided, and explanations have been given only where they seemed essential. The wealth and variety of imagination displayed in these legends will, I hope, prove that the epoch to which they belong has been greatly maligned by the term "dark ages," often applied to it. Such was the favor which the legendary style of composition enjoyed with our ancestors that several of the poems analyzed in this volume were among the first books printed for general circulation in Europe. Previous to the invention of printing, however, they were familiar to rich
and poor, thanks to the scalds, bards, trouv�res, troubadours, minstrels, and minnesingers, who, like the rhapsodists of Greece, spent their lives in wandering from place to place, relating or reciting these tales to all they met in castle, cottage, and inn. A chapter on the Romance literature of the period in the different countries of Europe, and a complete index, will, it is hoped, fit this volume for handy reference in schools and libraries, where the author trusts it may soon find its own place and win a warm welcome.
CONTENTS. I. BEOWULF II. GUDRUN III. REYNARD THE FOX IV. THE NIBELUNGENLIED V. LANGODARDIAN CYCLE OF MYTHS VI. THE AMBLINGS VII. DIETRICH VON BERN VIII. CHARLEMAGNE AND HIS PALADINS IX THE SONS OF AYMON X. HUON OF BORDEAUX XI. TITUREL AND THE HOLY GRAIL XII. MERLIN XIII. THE ROUND TABLE XIV. TRISTAN AND ISEULT XV. THE STORY OF FRITHIOF XVI. RAGNAR LODBROK XVII. THE CID XVIII. GENERAL SURVEY OF ROMANCE LITERATURE
LIST OF ILLUSTRATIONS.
CORONATION OF CHARLEMAGNE--L�vy FUNERAL OF A NORTHERN CHIEF--Cormon GUDRUN AND THE SWAN--Kepler BROWN THE BEAR CAUGHT IN THE LOG--Wagner REYNARD PREPARING FOR BATTLE--Kaulbach GUNTHER WINNING HIS BRIDE--Keller SIEGFRIED'S BODY BORNE HOME BY THE HUNTSMEN--Pixis ASPRIAN SLAYING THE LION--Keller FALKE KILLS THE GIANT--Keller THE VICTORIOUS HUNS--Checa THE TOMB OF THEODORIC THE DEATH OF ROLAND--Keller HUON BEFORE THE POPE--Gabriel Max HUON AND AMANDA LEAP OVERBOARD--Gabriel Max PARZIVAL UNCOVERING THE HOLY GRAIL--Pixis ARRIVAL OF LOHENGRIN--Pixis THE BEGUILING OF MERLIN--Burne-Jones SIR LANCELOT DU LAC--Sir John Gilbert ELAINE--Rosenthal ISEULT SIGNALS TRISTAN--Pixis THE LOVERS AT BALDER'S SHRINE--Kepler FRITHIOF AT THE COURT OF KING RING--Kepler STRATEGY OF HASTINGS--Keller THE CID'S LAST VICTORY--Rochegrosse
LEGENDS OF THE MIDDLE AGES.
CHAPTER I.
BEOWULF. "List! we have learnt a tale of other years, Of kings and warrior Danes, a wondrous tale, How aethelings bore them in the brunt of war." _Beowulf_ (Conybeare's tr.). The most ancient relic of literature of the spoken languages of modern Europe is undoubtedly the epic poem "Beowulf," which is supposed to have been composed by the Anglo-Saxons previous to their invasion of England. Although the poem probably belongs to the fifth century, the only existing manuscript is said to date from the ninth or tenth century. This curious work, in rude alliterative verse (for rhyme was introduced in England only after the Norman Conquest), is the most valuable old English manuscript in the British Museum. Although much damaged by fire, it has been carefully studied by learned men. They have patiently restored the poem, the story of which is as follows: [Sidenote: Origin of the Skioldungs.] Hrothgar (the modern Roger), King of Denmark, was a descendant of Odin, being the third monarch of the celebrated dynasty of the Skioldungs. They proudly traced their ancestry to Skeaf, or Skiold, Odin's son, who mysteriously drifted to their shores. He was then but an infant, and lay in the middle of a boat, on a sheaf of ripe wheat, surrounded by priceless weapons and jewels. As the people were seeking for a ruler, they immediately recognized the hand of Odin in this mysterious advent, proclaimed the child king, and obeyed him loyally as long as he lived. When he felt death draw near, Skeaf, or Skiold, ordered a vessel to be prepared, lay down in the midst on a sheaf of grain or on a funeral pyre, and drifted out into the wide ocean, disappearing as mysteriously as he had come. [Sidenote: Construction of Heorot.] Such being his lineage, it is no wonder that Hrothgar became a mighty chief; and as he had amassed much wealth in the course of a long life of warfare, he resolved to devote part of it to the construction of a magnificent hall, called Heorot, where he might feast his retainers and listen to the heroic lays of the scalds during the long winter evenings. "A hall of mead, such as for space and state The elder time ne'er boasted; there with free And princely hand he might dispense to all (Save the rude crowd and men of evil minds) The good he held from Heaven. That gallant work, Full well I wot, through many a land was known Of festal halls the brightest and the best." _Beowulf_ (Conybeare's tr.). The inauguration of this hall was celebrated by a sumptuous entertainment; and when all the guests had retired, the king's bodyguard, composed of thirty-two dauntless warriors, lay down in the hall to rest. When morning dawned, and the servants appeared to remove the couches, they beheld with horror the floor and walls all stained with blood, the only trace of the knights who had gone to rest there in full armor. [Sidenote: The monster Grendel.] Gigantic, blood-stained footsteps, leading directly from the festive hall to the sluggish waters of a deep mountain
lake, or fiord, furnished the only clew to their disappearance. Hrothgar, the king, beholding these, declared that they had been made by Grendel, a descendant of the giants, whom a magician had driven out of the country, but who had evidently returned to renew his former depredations. "A haunter of marshes, a holder of moors. . . . . . Secret The land he inhabits; dark, wolf-haunted ways Of the windy hillside, by the treacherous tarn; Or where, covered up in its mist, the hill stream Downward flows." _Beowulf_ (Keary's tr.). As Hrothgar was now too old to wield a sword with his former skill, his first impulse was, of course, to offer a princely reward to any man brave enough to free the country of this terrible scourge. As soon as this was known ten of his doughtiest knights volunteered to camp in the hall on the following night, and attack the monster Grendel should he venture to reappear. But in spite of the valor of these experienced warriors, and of the efficacy of their oft-tried weapons, they too succumbed. A minstrel, hiding in a dark corner of the hall, was the only one who escaped Grendel's fury, and after shudderingly describing the massacre he had witnessed, he fled in terror to the kingdom of the Geates (Jutes or Goths). There he sang his lays in the presence of Hygelac, the king, and of his nephew Beowulf (the Bee Hunter), and roused their deepest interest by describing the visit of Grendel and the vain but heroic defense of the brave knights. Beowulf, having listened intently, eagerly questioned the scald, and, learning from him that the monster still haunted those regions, impetuously declared his intention to visit Hrothgar's kingdom, and show his valor by fighting and, if possible, slaying Grendel. "He was of mankind In might the strongest, At that day Of this life, Noble and stalwart. He bade him a sea ship, A goodly one, prepare. Quoth he, the war king, Over the swan's road, Seek he would The mighty monarch, Since he wanted men." _Beowulf_ (Longfellow's tr.). [Sidenote: Beowulf and Breka.] Although very young, Beowulf was quite distinguished, and had already won great honors in a battle against the Swedes. He had also proved his endurance by entering into a swimming match with Breka, one of the lords at his uncle's court. The two champions had started out, sword in hand and fully armed, and, after swimming in concert for five whole days, they were parted by a great tempest. "Then were we twain there on the sea Space of five nights, till the floods severed us, The welling waves. Coldest of weathers, Shadowy night, and the north wind
Battelous shocked on us; wild were the waters, And were the mere-fishes stirred up in mind." _Beowulf_. Breka was driven ashore, but the current bore Beowulf toward some jagged cliffs, where he desperately clung, trying to resist the fury of the waves, and using his sword to ward off the attacks of hostile mermaids, nicors (nixies), and other sea monsters. The gashed bodies of these slain foes soon drifted ashore, to Hygelac's amazement; but when Beowulf suddenly reappeared and explained that they had fallen by his hand, his joy knew no bounds. As Breka had returned first, he received the prize for swimming; but the king gave Beowulf his treasured sword, N�geling, and praised him publicly for his valor. Beowulf had successfully encountered these monsters of the deep in the roaring tide, so he now expressed a hope that he might prevail against Grendel also; and embarking with fourteen chosen men, he sailed to Denmark, where he was challenged by the coast guard and warmly welcomed as soon as he had made his purpose known. "'What men are ye, War gear wearing, Host in harness, Who thus the brown keel Over the water street Leading, come Hither over the sea?'" _Beowulf_ (Longfellow's tr.). Hrothgar received Beowulf most from his perilous undertaking. mead flowed with true northern left the hall Heorot in charge never expected to see again. hospitably, but vainly tried to dissuade him Then, after a sumptuous banquet, where the lavishness, Hrothgar and his suite sadly of the brave band of strangers, whom they
[Sidenote: Beowulf and Grendel.] As soon as the king had departed, Beowulf bade his companions lie down and sleep in peace, promising to watch over them, yet laying aside both armor and sword; for he knew that weapons were of no avail against the monster, whom he intended to grapple with hand to hand should it really appear. "'I have heard That that foul miscreant's dark and stubborn flesh Recks not the force of arms:--such I forswear, Nor sword nor burnish'd shield of ample round Ask for the war; all weaponless, hand to hand (So may great Higelac's smile repay my toil) Beowulf will grapple with the mighty foe.'" _Beowulf_ (Conybeare's tr.). The warriors had no sooner stretched themselves out upon the benches in the hall than, overcome by the oppressive air as well as by mead, they sank into a profound sleep. Beowulf alone remained awake, watching for Grendel's coming. In the early morning, when all was very still, the giant appeared, tore asunder the iron bolts and bars which secured the door, and striding into the hall, enveloped in a long, damp mantle of clammy mist, he pounced upon one of the sleepers. He tore him limb from limb, greedily drank his blood, and devoured his flesh, leaving naught but the head, hands, and feet
of his unhappy victim. This ghastly repast only whetted the fiend's ravenous appetite, however, so he eagerly stretched out his hands in the darkness to seize and devour another warrior. Imagine his surprise and dismay when he suddenly found his hand caught in so powerful a grasp that all his efforts could not wrench it free! Grendel and Beowulf struggled in the darkness, overturning tables and couches, shaking the great hall to its very foundations, and causing the walls to creak and groan under the violence of their furious blows. But in spite of Grendel's gigantic stature, Beowulf clung so fast to the hand and arm he had grasped that Grendel, making a desperate effort to free himself by a jerk, tore the whole limb out of its socket! Bleeding and mortally wounded, he then beat a hasty retreat to his marshy den, leaving a long, bloody trail behind him. "Soon the dark wanderer's ample shoulder bore A gaping wound, each starting sinew crack'd, And from its socket loosed the strong-knit joint.-The victory was with Beowulf, and the foe, Howling and sick at heart, fled as he might, To seek beneath the mountain shroud of mist His joyless home; for well he knew the day Of death was on him, and his doom was seal'd." _Beowulf_ (Conybeare's tr.). As for Beowulf, exhausted but triumphant, he stood in the middle of the hall, where his companions crowded around him, gazing in speechless awe at the mighty hand and limb, and the clawlike fingers, far harder than steel, which no power had hitherto been able to resist. At dawn Hrothgar and his subjects also appeared. They heard with wonder a graphic account of the night's adventures, and gazed their fill upon the monster's limb, which hung like a trophy from the ceiling of Heorot. After the king had warmly congratulated Beowulf, and bestowed upon him many rich gifts, he gave orders to cleanse the hall, to hang it with tapestry, and to prepare a banquet in honor of the conquering hero. [Sidenote: Beowulf honored by the queen.] While the men were feasting, listening to the lays of the scalds, and carrying the usual toasts, Wealtheow, Hrothgar's beautiful wife, the Queen of Denmark, appeared. She pledged Beowulf in a cup of wine, which he gallantly drained after she had touched it to her lips. Then she bestowed upon him a costly necklace (the famous Brisinga-men, according to some authorities)[1] and a ring of the finest gold. [Footnote 1: See Guerber's Myths of Northern Lands, p. 127.] "'Wear these,' she cried, 'since thou hast in the fight So borne thyself, that wide as ocean rolls Round our wind-beaten cliffs his brimming waves, All gallant souls shall speak thy eulogy.'" _Beowulf_ (Conybeare's tr.). When the banquet was ended, Hrothgar escorted his guests to more pleasant sleeping apartments than they had occupied the night before, leaving his own men to guard the hall, where Grendel would never again appear. The warriors, fearing no danger, slept in peace; but in the dead of night the mother of the giant, as grewsome and uncanny a monster as he, glided into the hall, secured the bloody trophy still hanging from the ceiling, and carried it away, together with Aeschere (Askher), the king's bosom friend.
When Hrothgar learned this new loss at early dawn he was overcome with grief; and when Beowulf, attracted by the sound of weeping, appeared at his side, he mournfully told him of his irretrievable loss. "'Ask not after happiness; Sorrow is renewed To the Danes' people. Aeschere is dead, Yrmenlaf's Elder brother, The partaker of my secrets And my counselor, Who stood at my elbow When we in battle Our mail hoods defended, When troops rushed together And boar crests crashed.'" _Beowulf_ (Metcalfe's tr.). [Sidenote: Beowulf and Grendel's mother.] The young hero immediately volunteered to finish his work and avenge Aeschere by seeking and attacking Grendel's mother in her own retreat; but as he knew the perils of this expedition, Beowulf first gave explicit directions for the disposal of his personal property in case he never returned. Then, escorted by the Danes and Geates, he followed the bloody track until he came to a cliff overhanging the waters of the mountain pool. There the bloody traces ceased, but Aeschere's gory head was placed aloft as a trophy. "Now paused they sudden where the pine grove clad The hoar rock's brow, a dark and joyless shade. Troublous and blood-stain'd roll'd the stream below. Sorrow and dread were on the Scylding's host, In each man's breast deep working; for they saw On that rude cliff young Aeschere's mangled head." _Beowulf_ (Conybeare's tr.). Beowulf gazed down into the deep waters, saw that they also were darkly dyed with the monster's blood, and, after taking leave of Hrothgar, bade his men await his return for two whole days and nights ere they definitely gave him up for lost. He then plunged bravely into the bloody waters, swam about seeking for the monster's retreat, and dived deep. At last, descrying a phosphorescent gleam in the depths, he quickly made his way thither, shrewdly conjecturing that it must be Grendel's hiding place. But on his way thither he was repeatedly obliged to have recourse to his sword to defend himself against the clutches of countless hideous sea monsters which came rushing toward him on all sides. "While thro' crystal gulfs were gleaming Ocean depths, with wonders teeming; Shapes of terror, huge, unsightly, Loom'd thro' vaulted roof translucent." J.C. JONES, _Valhalla_. A strong current seized Beowulf, and swept him irresistibly along into the slimy retreat of Grendel's mother. She clutched him fast, wrestled with him, deprived him of his sword, flung him down, and finally tried to pierce his armor with her trenchant knife. Fortunately, however, the hero's armor
was weapon-proof, and his muscles were so strong that before she could do him any harm he had freed himself from her grasp. Seizing a large sword hanging upon a projection of rock near by, he dealt her a mighty blow, severing her head from the trunk at a singl..."
|
You need to upgrade your Flash Player , or try to enable javascript in order see this document properly.
|
|
Comments
