Divine Comedy, Longfellow's Translation, Hell by Dante Alighieri (pdf document) free file download at fliiby.com

"Dante’s Inferno The Project Gutenberg Etext of Dante’s Inferno [Divine Comedy] Translated by Henry Wadsworth Longfellow Copyright Small Print Contents Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. Dante’s Inferno [Divine Comedy] Translated by Henry Wadsworth Longfellow August, 1997 [Etext #1001] The Project Gutenberg Etext of Dante’s Inferno [Divine Comedy] *****This file should be named 1ddcl10h.htm or 1ddcl10h.zip****** Corrected EDITIONS of our etexts get a new NUMBER, 1ddcl11h.txt. This etext was prepared by Dennis McCarthy, Atlanta, GA. We are now trying to release all our books one month in advance of the official release dates, for time for better editing. -1- Dante’s Inferno Please note: neither this list nor its contents are final till midnight of the last day of the month of any such announcement. The official release date of all Project Gutenberg Etexts is at Midnight, Central Time, of the last day of the stated month. A preliminary version may often be posted for suggestion, comment and editing by those who wish to do so. To be sure you have an up to date first edition [xxxxx10x.xxx] please check file sizes in the first week of the next month. Since our ftp program has a bug in it that scrambles the date [tried to fix and failed] a look at the file size will have to do, but we will try to see a new copy has at least one byte more or less. Information about Project Gutenberg (one page) We produce about two million dollars for each hour we work. The fifty hours is one conservative estimate for how long it we take to get any etext selected, entered, proofread, edited, copyright searched and analyzed, the copyright letters written, etc. This projected audience is one hundred million readers. If our value per text is nominally estimated at one dollar then we produce $2 million dollars per hour this year as we release thirty-two text files per month, or 384 more Etexts in 1997 for a total of 1000+ If these reach just 10% of the computerized population, then the total should reach over 100 billion Etexts given away. The Goal of Project Gutenberg is to Give Away One Trillion Etext Files by the December 31, 2001. [10,000 x 100,000,000=Trillion] This is ten thousand titles each to one hundred million readers, which is only 10% of the present number of computer users. 2001 should have at least twice as many computer users as that, so it will require us reaching less than 5% of the users in 2001. We need your donations more than ever! All donations should be made to "Project Gutenberg/CMU": and are tax deductible to the extent allowable by law. (CMU = Carnegie- Mellon University). For these and other matters, please mail to: Project Gutenberg P. O. Box 2782 Champaign, IL 61825 When all other email fails try our Executive Director: Michael S. Hart -2- Dante’s Inferno We would prefer to send you this information by email (Internet, Bitnet, Compuserve, ATTMAIL or MCImail). If you have an FTP program (or emulator), please FTP directly to the Project Gutenberg archives: [Mac users, do NOT point and click. . .type] ftp uiarchive.cso.uiuc.edu login: anonymous password: your@login cd etext/etext90 through /etext96 or cd etext/articles [get suggest gut for more information] dir [to see files] get or mget [to get files. . .set bin for zip files] GET INDEX?00.GUT for a list of books and GET NEW GUT for general information and MGET GUT* for newsletters. **Information prepared by the Project Gutenberg legal advisor** (Three Pages) ***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START*** Why is this "Small Print!" statement here? You know: lawyers. They tell us you might sue us if there is something wrong with your copy of this etext, even if you got it for free from someone other than us, and even if what’s wrong is not our fault. So, among other things, this "Small Print!" statement disclaims most of our liability to you. It also tells you how you can distribute copies of this etext if you want to. *BEFORE!* YOU USE OR READ THIS ETEXT By using or reading any part of this PROJECT GUTENBERG-tm etext, you indicate that you understand, agree to and accept this "Small Print!" statement. If you do not, you can receive a refund of the money (if any) you paid for this etext by sending a request within 30 days of receiving it to the person you got it from. If you received this etext on a physical medium (such as a disk), you must return it with your request. ABOUT PROJECT GUTENBERG-TM ETEXTS This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG- tm etexts, is a "public domain" work distributed by Professor Michael S. Hart through the Project Gutenberg Association at Carnegie-Mellon University (the "Project"). Among other things, this means that no one owns a United States copyright on or for this work, so the Project (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth below, apply if you wish to copy and distribute this etext under the Project’s -3- Dante’s Inferno "PROJECT GUTENBERG" trademark. To create these etexts, the Project expends considerable efforts to identify, transcribe and proofread public domain works. Despite these efforts, the Project’s etexts and any medium they may be on may contain "Defects". Among other things, Defects may take the form of incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other etext medium, a computer virus, or computer codes that damage or cannot be read by your equipment. LIMITED WARRANTY; DISCLAIMER OF DAMAGES But for the "Right of Replacement or Refund" described below, [1] the Project (and any other party you may receive this etext from as a PROJECT GUTENBERG-tm etext) disclaims all liability to you for damages, costs and expenses, including legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGES. If you discover a Defect in this etext within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending an explanatory note within that time to the person you received it from. If you received it on a physical medium, you must return it with your note, and such person may choose to alternatively give you a replacement copy. If you received it electronically, such person may choose to alternatively give you a second opportunity to receive it electronically. THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. Some states do not allow disclaimers of implied warranties or the exclusion or limitation of consequential damages, so the above disclaimers and exclusions may not apply to you, and you may have other legal rights. INDEMNITY You will indemnify and hold the Project, its directors, officers, members and agents harmless from all liability, cost and expense, including legal fees, that arise directly or indirectly from any of the following that you do or cause: [1] distribution of this etext, [2] alteration, modification, or addition to the etext, or [3] any Defect. -4- Dante’s Inferno DISTRIBUTION UNDER "PROJECT GUTENBERG-tm" You may distribute copies of this etext electronically, or by disk, book or any other medium if you either delete this "Small Print!" and all other references to Project Gutenberg, or: Only give exact copies of it. Among other things, this requires that you do not remove, alter or modify the etext or this "small print!" statement. You may however, if you wish, distribute this etext in machine readable binary, compressed, mark-up, or proprietary form, including any form resulting from conversion by word pro- cessing or hypertext software, but only so long as *EITHER*: The etext, when displayed, is clearly readable, and does *not* contain characters other than those intended by the author of the work, although tilde (~), asterisk (*) and underline (_) characters may be used to convey punctuation intended by the author, and additional characters may be used to indicate hypertext links; OR The etext may be readily converted by the reader at no expense into plain ASCII, EBCDIC or equivalent form by the program that displays the etext (as is the case, for instance, with most word processors); OR You provide, or agree to also provide on request at no additional cost, fee or expense, a copy of the etext in its original plain ASCII form (or in EBCDIC or other equivalent proprietary form). Honor the etext refund and replacement provisions of this "Small Print!" statement. Pay a trademark license fee to the Project of 20% of the net profits you derive calculated using the method you already use to calculate your applicable taxes. If you don’t derive profits, no royalty is due. Royalties are payable to "Project Gutenberg Association/Carnegie-Mellon University" within the 60 days following each date you prepare (or were legally required to prepare) your annual (or equivalent periodic) tax return. WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON’T HAVE TO? The Project gratefully accepts contributions in money, time, scanning machines, OCR software, public domain etexts, royalty free copyright licenses, and every other sort of contribution you can think of. Money should be paid to "Project Gutenberg Association / Carnegie-Mellon University". *END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END* This etext was prepared by Dennis McCarthy, Atlanta, GA. -5- Dante’s Inferno THE DIVINE COMEDY OF DANTE ALIGHIERI (1265-1321) TRANSLATED BY HENRY WADSWORTH LONGFELLOW (1807-1882) CANTICLE I: INFERNO CREDITS The base text for this edition has been provided by Digital Dante, a project sponsored by Columbia University’s Institute for Learning Technologies. Specific thanks goes to Jennifer Hogan (Project Editor/Director), Tanya Larkin (Assistant to Editor), Robert W. Cole (Proofreader/Assistant Editor), and Jennifer Cook (Proofreader). The Digital Dante Project is a digital ’study space’ for Dante studies and scholarship. The project is multi-faceted and fluid by nature of the Web. Digital Dante attempts to organize the information most significant for students first engaging with Dante and scholars researching Dante. The digital of Digital Dante incurs a new challenge to the student, the scholar, and teacher, perusing the Web: to become proficient in the new tools, e.g., Search, the Discussion Group, well enough to look beyond the technology and delve into the content. For more information and access to the project, please visit its web site at: http://www.ilt.columbia.edu/projects/dante/ For this Project Gutenberg edition the e-text was rechecked. The editor greatly thanks Dian McCarthy for her assistance in proofreading the Paradiso. Also deserving praise are Herbert Fann for programming the text editor "Desktop Tools/Edit" and the late August Dvorak for designing his keyboard layout. Please refer to Project Gutenberg’s e-text listings for other editions or translations of ’The Divine Comedy.’ For this three part edition of ’The Divine Comedy’ please refer to the end of the Paradiso for supplemental materials. Dennis McCarthy, July 1997 CONTENTS -6- Dante’s Inferno Inferno I. The Dark Forest. The Hill of Difficulty. The Panther, the Lion, and the Wolf. Virgil. II. The Descent. Dante’s Protest and Virgil’s Appeal. The Intercession of the Three Ladies Benedight. III. The Gate of Hell. The Inefficient or Indifferent. Pope Celestine V. The Shores of Acheron. Charon. The Earthquake and the Swoon. IV. The First Circle, Limbo: Virtuous Pagans and the Unbaptized. The Four Poets, Homer, Horace, Ovid, and Lucan. The Noble Castle of Philosophy. V. The Second Circle: The Wanton. Minos. The Infernal Hurricane. Francesca da Rimini. VI. The Third Circle: The Gluttonous. Cerberus. The Eternal Rain. Ciacco. Florence. VII. The Fourth Circle: The Avaricious and the Prodigal. Plutus. Fortune and her Wheel. The Fifth Circle: The Irascible and the Sullen. Styx. VIII. Phlegyas. Philippo Argenti. The Gate of the City of Dis. IX. The Furies and Medusa. The Angel. The City of Dis. The Sixth Circle: Heresiarchs. X. Farinata and Cavalcante de’ Cavalcanti. Discourse on the Knowledge of the Damned. XI. The Broken Rocks. Pope Anastasius. General Description of the Inferno and its Divisions. XII. The Minotaur. The Seventh Circle: The Violent. The River Phlegethon. The Violent against their Neighbours. The Centaurs. Tyrants. XIII. The Wood of Thorns. The Harpies. The Violent against themselves. Suicides. Pier della Vigna. Lano and Jacopo da Sant’ Andrea. XIV. The Sand Waste and the Rain of Fire. The Violent against God. Capaneus. The Statue of Time, and the Four Infernal Rivers. XV. The Violent against Nature. Brunetto Latini. XVI. Guidoguerra, Aldobrandi, and Rusticucci. Cataract of the River of Blood. XVII. Geryon. The Violent against Art. Usurers. Descent into the Abyss of Malebolge. XVIII. The Eighth Circle, Malebolge: The Fraudulent and the Malicious. The First Bolgia: Seducers and Panders. Venedico Caccianimico. Jason. The Second Bolgia: Flatterers. Allessio Interminelli. Thais. XIX. The Third Bolgia: Simoniacs. Pope Nicholas III. Dante’s Reproof of corrupt Prelates. XX. The Fourth Bolgia: Soothsayers. Amphiaraus, Tiresias, Aruns, Manto, Eryphylus, Michael Scott, Guido Bonatti, and Asdente. Virgil reproaches Dante’s Pity. Mantua’s Foundation. -7- Dante’s Inferno XXI. The Fifth Bolgia: Peculators. The Elder of Santa Zita. Malacoda and other Devils. XXII. Ciampolo, Friar Gomita, and Michael Zanche. The Malabranche quarrel. XXIII. Escape from the Malabranche. The Sixth Bolgia: Hypocrites. Catalano and Loderingo. Caiaphas. XXIV. The Seventh Bolgia: Thieves. Vanni Fucci. Serpents. XXV. Vanni Fucci’s Punishment. Agnello Brunelleschi, Buoso degli Abati, Puccio Sciancato, Cianfa de’ Donati, and Guercio Cavalcanti. XXVI. The Eighth Bolgia: Evil Counsellors. Ulysses and Diomed. Ulysses’ Last Voyage. XXVII. Guido da Montefeltro. His deception by Pope Boniface VIII. XXVIII. The Ninth Bolgia: Schismatics. Mahomet and Ali. Pier da Medicina, Curio, Mosca, and Bertrand de Born. XXIX. Geri del Bello. The Tenth Bolgia: Alchemists. Griffolino d’ Arezzo and Capocchino. XXX. Other Falsifiers or Forgers. Gianni Schicchi, Myrrha, Adam of Brescia, Potiphar’s Wife, and Sinon of Troy. XXXI. The Giants, Nimrod, Ephialtes, and Antaeus. Descent to Cocytus. XXXII. The Ninth Circle: Traitors. The Frozen Lake of Cocytus. First Division, Caina: Traitors to their Kindred. Camicion de’ Pazzi. Second Division, Antenora: Traitors to their Country. Dante questions Bocca degli Abati. Buoso da Duera. XXXIII. Count Ugolino and the Archbishop Ruggieri. The Death of Count Ugolino’s Sons. Third Division of the Ninth Circle, Ptolomaea: Traitors to their Friends. Friar Alberigo, Branco d’ Oria. XXXIV. Fourth Division of the Ninth Circle, the Judecca: Traitors to their Lords and Benefactors. Lucifer, Judas Iscariot, Brutus, and Cassius. The Chasm of Lethe. The Ascent. Incipit Comoedia Dantis Alagherii, Florentini natione, non moribus. The Divine Comedy translated by Henry Wadsworth Longfellow (e-text courtesy ILT’s Digital Dante Project) INFERNO Inferno: Canto I Midway upon the journey of our life I found myself within a forest dark, For the straightforward pathway had been lost. -8- Dante’s Inferno Ah me! how hard a thing it is to say What was this forest savage, rough, and stern, Which in the very thought renews the fear. So bitter is it, death is little more; But of the good to treat, which there I found, Speak will I of the other things I saw there. I cannot well repeat how there I entered, So full was I of slumber at the moment In which I had abandoned the true way. But after I had reached a mountain’s foot, At that point where the valley terminated, Which had with consternation pierced my heart, Upward I looked, and I beheld its shoulders, Vested already with that planet’s rays Which leadeth others right by every road. Then was the fear a little quieted That in my heart’s lake had endured throughout The night, which I had passed so piteously. And even as he, who, with distressful breath, Forth issued from the sea upon the shore, Turns to the water perilous and gazes; So did my soul, that still was fleeing onward, Turn itself back to re-behold the pass Which never yet a living person left. After my weary body I had rested, The way resumed I on the desert slope, So that the firm foot ever was the lower. And lo! almost where the ascent began, A panther light and swift exceedingly, Which with a spotted skin was covered o’er! And never moved she from before my face, Nay, rather did impede so much my way, That many times I to return had turned. The time was the beginning of the morning, And up the sun was mounting with those stars That with him were, what time the Love Divine At first in motion set those beauteous things; So were to me occasion of good hope, The variegated skin of that wild beast, The hour of time, and the delicious season; But not so much, that did not give me fear A lion’s aspect which appeared to me. He seemed as if against me he were coming With head uplifted, and with ravenous hunger, So that it seemed the air was afraid of him; And a she-wolf, that with all hungerings Seemed to be laden in her meagreness, And many folk has caused to live forlorn! -9- Dante’s Inferno She brought upon me so much heaviness, With the affright that from her aspect came, That I the hope relinquished of the height. And as he is who willingly acquires, And the time comes that causes him to lose, Who weeps in all his thoughts and is despondent, E’en such made me that beast withouten peace, Which, coming on against me by degrees Thrust me back thither where the sun is silent. While I was rushing downward to the lowland, Before mine eyes did one present himself, Who seemed from long-continued silence hoarse. When I beheld him in the desert vast, "Have pity on me," unto him I cried, "Whiche’er thou art, or shade or real man!" He answered me: "Not man; man once I was, And both my parents were of Lombardy, And Mantuans by country both of them. ’Sub Julio’ was I born, though it was late, And lived at Rome under the good Augustus, During the time of false and lying gods. A poet was I, and I sang that just Son of Anchises, who came forth from Troy, After that Ilion the superb was burned. But thou, why goest thou back to such annoyance? Why climb’st thou not the Mount Delectable, Which is the source and cause of every joy?" "Now, art thou that Virgilius and that fountain Which spreads abroad so wide a river of speech?" I made response to him with bashful forehead. "O, of the other poets honour and light, Avail me the long study and great love That have impelled me to explore thy volume! Thou art my master, and my author thou, Thou art alone the one from whom I took The beautiful style that has done honour to me. Behold the beas..."

You need to upgrade your Flash Player , or try to enable javascript in order see this document properly.