Kiss - The Best Of Kiss - Recorded Guitar Version Book Music Sheet (pdf document) free file download at fliiby.com

"_ ... F 4 BLACK DIAMOND C'MON AND LOVE ME CALLING DR. LOVE CHRISTINE SIXTEEN COLD GIN CREATURES OF THE NIGHT DETROIT ROCK CITY DEUCE FIREHOUSE GOD OF THUNDER HARD LUCK ""OMAN HEAVEN'S ON FIRE HOTTER THAN HELL I LOVE IT LOUD I STOLE YOUR LOVE I ""AS MADE FOR LOVIN' YOU • 11 15 23 29 34 39 50 56 62 6S 71 76 83 89 94 102 106 1 12 117 LICK IT UP LOVE GUN PARASITE RIP IT OUT ROCK AND ROLL ALL NITE SHE SHOCK ME SHOUT IT OUT LOUD STRUTTER TEARS ARE FALLING 123 132 141 148 152 161 167 no.......on .e.end Black Diamond Words and Music by Paul Stanley FS 133 GS AS 3 fr v Sfr CS DS 8 fr AS 9 133 9 133 9 133 133 II Prelude Slowly J = 54 Am(add9) Gtr.2 F(add9) G(add9) Gtr. 1 * let ring - - - - - - - - - - - - - - - - - - - - - - - - - -l let ring - - - - - - - - - - - - - - - - - -l let ring- - - - -l mf (acoustic) Am(add9) • Gtr. 1 tabbed on left. Gtr. 2 tabbed on right. F(add9) G(add9) • _ (Ooh. _ Out on the street Rhy. Figs. 1 & lA for a liv - • mg. _ But she's on - ly be - gun. - let ring - - - - - - - - - - - - - - - - - - - - - - - - - - - -of let ring - - - - - - - - - - - - - - - - - - .... let ring - - - - - l Am(add9 F(add9) Am Introduction Moderately Fast Rock J = 132 :----------) 1- ., Got you un-der their thumb. Hit it! End Rhy. Figs. 1 & lA let ring - - - - - - - - - - - - - - - - - - - - - - - -l let ring- - - - - - - - - - -l Rhy. Fig. 2 Gtrs. 3 & 4 End Rhy. Fig. 2 A5 N.C. F G C G C G C G f (distortion) .. .. Copyright © 1974 Hori Productions America. Inc.• Gladwyne Music Pub!. Corp. and Cafe Americana All Rights for Cafe Americana in the U.S. Administered by Intersong-U.S.A.• Inc. All Rights outside the U.S. Controlled by PolyGram International Publishing. Inc. International Copyright Secured All Rights Reserved 4 Otrs. 3 & 4 A5 N.C. F ~ G ::lj C G C G C G J " • • I ~ --: "* ""2- = - ... v -.t --: -.t -& -& !i!:i!J:f: •• •• • • -t- -e- -S- -t- v ~ Verse Otrs. 3 & 4: wlRhy. Fill I. 2nd time only Otrs. 3 & 4: wlRhy. Fill 2. 3rd lime only t• NC • • F ~ ~. A5 " ':,£. ':,£. ':,£. ~ ~---~ . ~ 1Ca the ~~ liv - ing, cit - y. ~-.... "Jf t ~~"""'~ - :::iiiiii: ::lj .fI- ~ ~ .... ~ ~ ~~ .... ...... 1.,3. Out on the 2. Dark-ness will streets _ for fall on but she's on They seem to Iy be - gun._ fol- low you too. _ t ;::: == tJ ~'6-_ - ... -S- ~ -.t - u -& -t- ~ Gtrs, 3 & 4: wlRhy. Fill I. 2nd lime Gtrs, 3 & 4: wlRhy. Fig. 2. 3rd time only G C G C G C G A5 Your day is so __ And though you don't ask 10 • for mad pit - ness. y. -- -&_---======---- Rhy. FilII Gtrs. 3 & 4 Rhy. Fill 2 Gtrs, 3 & 4 > 5 F _---....:Am7 ~ " .fI- 3f. £ un the ~ ~ - ;;.. ~ i ~ .. thumb. lose. G A5 Got And :!! you though night der you their can't -.: - -e-e- ~ :t: t, 0=;; ..... .J ~ ::t:: T :: A5 V Chorus F5 G5 C5 D5 C5 E ® open Glr.4 ,. " oe.s ~:.----~ :: ~ > > > > > > ~ > > > > t~ . .fI.. Ooh. Black ~ Dia > mond. > • hann. " > P.M. > :::ij () > > > ii =:; :; :: ::: rr -r -5- > > - :::ij > hann. ..,. -S- -S- • i G5 • • Natural harmonic is located 8110 the distance between the 8th and 9th frets on the 6th string. G5 E G5 To Coda-$- @ Opcll E @ Gtrs, 3 & 4: wlRhy. Fill 3. 2nd time (GIr. 4 cont, in staff) AS open F5 ./ -. > ~ > > > > ~ . ~ tJ I I I ~ - :: :::t:: ~ ... :ifJf. > .fI.. ~ • • Ooh. > >---. Black Dia - mond. if. • > > > > > -,J ~' ~ ,, > ~ -= -S- .- ~ • ~ -& • • v -t • t • -& ~ Rhy. Fill 3 Gtrs, 3 & 4 u > 6 Interlude oe, 3 ~ N.C. full full full full -OIr.4 • full full full full --- G Gsus4 G Gsus4 G Gsus4 G(add6) " .... ... :It: ::if. ~ ~ ... .... ... ~ l.L"'- ~.C. f\. . f\ .. 3 - - - - ,I .L~F- .L"'- f\ .. .L"'- f\. . .-,- - 3 - - - - . ,I .L~ f\ .. .L~ f\ .. full ~ --- - -. -- - - -,., - - - - -;. - -- - --------- - :It: ~ .$.. : ~ : .... -r t t :::ij :uz ~ :l¥ .L:! ~ ~ ~ :1¥ .$.. f\ .. I 3 f\ .. ~ I ~ I ~ - - - -,.,- 3 ~ - - - - ...- - - - full --- t :ti -e- ~ -.- - - - -.,.- - - - - ..~ ~ ~ - ~/ ~ G Gsus4 G Gsus4 G Gsus4 G lL:!t L~ .L~ .L. ~ 1 .fL ~ '. - . - - - F" - - -~- - - ~ - - - .., -, -"'~ :::ij .... ~ .... $. .$.. $. .... ~ f\' • • ~ .~ 3 ~ ~ r It- 12- te. :te~ :It: : ~:::ii • :ti t ~~ -,..- -::; I 3":fL , "* rz.. Ji. .... $. • ~ ~ --- .;. .... -'-e7 - - - .. - - - ~- - ~ ~ ~ ~ -t- -tt- 1& let, :It: : : Guitar solo Gtrs, 3 & 4: w/Rhy. Fig. 2. 2 times oe.z A5 N.C. F P.H.- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -I!- • ,. • I =i£ -I!- • • =i£ Ii- • • :i£ .... • • ~ =i£ -I!- • ,. • I 3 * -S- -I!3 • • * -S- .... • • =i£ 3 -I!3 • • =i£ .... • • *-I!3 • • =i£ 3 P.H.- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -t- -S- -it- T -S- -t- • I -S- -t- I -S- -t- - -it- T -t- T -S- -t- I -S- -t- T -S- -t- T -S- - •- - - - - - - - - - -•- - - - - - - - , • • • G C G C G I C 3 I G A5 N.C. • 3 3 full --------------------, D.S. al Coda F P.H.- - - ., P.H. - - - - ., G I C ~ G C G C G " ':1£. ~~ ":fC.:jlE f\ £ 1 ~.::::::::P.H. - - - - ., f~I__ , ,.~ ~ ~~ full ~---------, 3 I PH- - - - - - - - - - ., •• -===t P.H.- - - ., f~!I__, / --==t ~ --s---T--5-' rz. ':Ii :E ... .... -t- !"!!!!!!iiii 7 -S--_ .... P.H.- - - - - - - - - - ., 1/2 ~ ,,,:: \ • • • . -S- -"1:' ., v • "7 -S- • • • • v T -S- -$-Coda F5 Glr.4 G5 C5 D5 C5 "1 > "1 > > > > :::!!!: ~ -.J l- ~ ~-......... > ~: > > > > ~ Doh. ... F- #- Black • • • • Dia - mond. !!!!!!!! 1 Gtr.3 ~ .. > • ~. ~ ~ I > ~ > > ~ ::lj === :if. ! 1 A • G Sfr ~ , E A (Gtr, 4 cont, in staff) open @ 7fr ® 7fr J ~ J J > J/ ,J....- --J- -J -. . " JJi:. .. I ~ - - >' - 1-- -• • -e- 8 Guitar solo Moderately J.=46 GIr. 3 • A,.!!'3-, /\ /\ /\ /\ /\' /\3 /\ ';\ /\ 3 /\ '/\ P.H.- - - - - - - - - - - - - - ful]----------------------------------.---------~ _...... .. P.H~------------- Rhy. Fig. 3 GIr.4 Idring-------------~--------------------------------------~-----~ mf (clean tone) • Let a note on Ist string ring throughout measure ----.., ----., F • /\ P.H.- .., I. 3 3 P.H. 1 • full ------- P.H.- .., P.H. full full End Rhy. Fig. 3 I~ring-----------------------------------------------------------~ GIr. 4: w/Rhy. Fig. 3. 2 times. simile GIr.3 Am ~.- f\ f\ ~. , ... full ~ .:... full ~ f'c.. r: - - - 2 - - - 'I ~. f\ -full ~ f\ .:.. ~.e. - 4 f\ .W full to ~.e. . . . • full ~ full to full to full ~ ./ Ii' ~tS- /12I' ~n .....Ltt ~'n .. .....ltt- ~ ~ F 8Va---------------------------------------------------- --------------------.. ---------------------------------------------------- r-. r-. r: r-. r-. /\ full '~' '~i ----full full full full full full ........ 9 • • • • full full full full full full full full full full .J .J .J=-- .J .J- : .J - .J~ .J .J .J full full Gtr. 4: wlRhy. Fill 4 Gtr.3 Gtrs, 3 & 4 E5 loco Esus4 i E5 J I Esus4 i A5 J I full full full > • > • ~~----_......-& ----~ Postlude SlowlyJ = 54 Gtrs, I & 2: wlRhy. Figs. 4 & 4A Gtrs, I & 2: wlRhy. Figs. 1 & IA Am(add9) F(add9) Am(add9) Out on the street for a Iiv Am - • 1Og. _ F(add9) O(add9) Am(add9) - F(add9) Outro Moderately Fast Rock J =132 N.C. (Band tacet) But she's on-Iy be-gun. (Ooh. A5 _ --.,._ _ ) • Got you un-der their thumb. Hit it! N.C. F o C 0 C 0 Fadeout C0 -& -& • • Rhy. Fill 4 Glr.4 ----P.M. - - - - - - - - _l ----> > > P.M. - - - - - - - - - _l > > > Rhy. Figs. 4 & 4A Gtrs. 1 & 2 Glr.2 let ring - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - ~ mf ~~g--------------l 10 C'mon And Love Me Words and Music by Paul Stanley C#5 4f, G#5 4fr B A5VII 133 6 133 133 1333 8 7 f ' 11f ' E5 13 11 13 7 f ' F#5IX 9f, 133 B5 B5IX E6 ' B6 7f ' G#5XI A5 B6II .7f' 13 xx 8 13 9f B 14 .7f' M 133 B 11 2f ' Intro Moderate Rock J = 132 Gtr. I C#5 G#5 C#5 F#5 85 A5 E5 A5 rtf (distortion) - Rhy. FIg.) N.C. F#5 85 C#,.5....,._........ .. • Gtr. 1 r " 8 1 1 Gtr.2 rtf (distortion) fulC_ *Doubled w/acoustic guitar Verse End Rhy. FIg.) Rhy. Fig. 2 A5VII . E5 A5VII F#5IX ..... 85 C#5 J G#5 C#5 , J a ro - mancbaI'm no 1. She's a dane - er Gtr.3 Gtr.2 full full (both notes vib.) .J.J full full .J.J full full .J full • • Copyright @ 1975, 1977 Hori Productions America, Inc. and Cafe Ameficana All Rights for Cafe Americana in the U.S. Administered by Intersong • U.S.A. Inc. All Rights outside the U.S. Controlled by PolyGram Intemational Publishing, Inc. International Copyright Secured All Rights Reserved 11 E ,........_""""__ ope~n F#5 E B @ @ open C#5 G#5 C#5 E F#5 E B @ ,........_""""'........n ope ..... @ open r er. by. A5VII I'm a Cap - ri - corn and she's And you're look - ing ev - 'ry inch B5IX A C#5 open a a Can la - cer, dy. End Rhy. FIg. 2 G#5 C#5 E F#5 E open B @ @ open @ She saw my pic-ture in a mu - sic mag - a - zine.L, You're good look-ing and you're look-ing like you should be good.i, When she met, You were dis - Gtr, I; wlRhy. Fig. 2. 1st 7 bars C#5 G#5 C#5 N.C. F#5 N.C. B C#5 G#5 C#5 N.C. F#5 N.C. B """ _ me, tant, said she'll get_ nowyou're near me. er. Touched her I can hips and told me that feel your face in - side she'd let _ the mir me. ror. GIr. 1: wlRhy. Fill 1 A5 B N.C. C#5 G#5 C#5 0#5 I took her hand, ba - by, The lights are out and I can this is what I feel you, ba-by, with my said: _ hands. _ I said, So, ~ Pre Chorus E5 E6 E5 E6 E5 E6 E5 E6 E5 B5 B6 B5 B6 B5 B6 B5 B6 B5 Gtr. 2: wlFilI I, 3rd time only oe. I > > > > > > > > > > > > > > > > > ba-by, ba-by, don't you hes - I-tate, 'Cause I just can't wait. __ , Rhy. FiliI Gtr. I FiliI Gtr.2 12 E5 E6 E5 E6 E5 E6 E5 E6 E5 F#5IX G#5XI To Coda -$- --> > > > > > > > > > > La - dy won't you take me down on my knees. You can do what you please.L, C' - man _ and love , Interlude 11. " Gtt. I: wlRhy. Fig. I ~#5 me. G#5 C#5 F#5 B A5 E5A5 F#5 B -=fC. • • :;x: I'm a Bva man.c, , Gtr.3 ; Gtt.2 ~ full 1-----------.--------.-----.---*)" • • -$-Coda Chorus Rhy. Fig. 3 End Rhy. Fig. 3 Gtr. I: wlRhy. Fig. 3.2 times C#5 Gtr. I B A5 B C#5 B A5 B me. Gtt.2 C'-monand love me. C'-monand .. ~ f\.~ full full full full -_. ~ full full full full Gtr. I: wlRhy. Fig. 3. 2nd time C#5 B A5 B4 C#5 Gtr. I B B6II B D.S. alCoda love me. C' -mon and love me. *(C' - man and) #~ 1------,,1----9" 7 I , .. ./ ·Sing 2nd time only 13 Outro Gtr. I: wlRhy. Fig. 3.2 times C#S • • B AS B love (2nd time ad lib.) r-; me. C• - mon and Gtr.2 • • ... I"' full full full ...... ~ full full_ ... • • oe.s (2nd time ad. lib.) • • • • --- --- --full • • C#S B AS B Fadeout J ~ ~ "Jf. -= me. ~ f= 'Jf. ~ C' Ii- =.....A- 91 love - mon and 1'. ... ;;;... ~ ... r-: ;;;... /L ...f'." F- '#~ ~ r-:': ... F- '~ r-. ... ;;;... • • tJ • ~ f~l-_------_---------12" .... .. f'l-II. __ • ________ f'l-II _____________ ~ full fU~I ________ ••• ""\ it' 1? ~ ~ :1t ~ 12".... 1t2} . • t: ~ 1£-11 ~ ~. '* II. 1£-11 ~ ~~ 1£ ~ ~ ~ ..... f\~ 1£-11 ':fIC. ~ • • full ~H .: I + -t•• .: + 1H II -t•• .. -tH .: I ; .. -t- • -9 • I -i II -t • • 14 Calling Dr. Love Words and Music by Gene Simmons E5 Hr. 133 G5 IOfr. 05 S fro A5 E T'rl 7 fro G TTT c 10 fro 1++ 312 n ,.,.,. Hr. 1333 7 fro III Hr. """" Hr. 1333 133 133 11 1333 1333 Introduction Moderate Rock J = 126 Rhy. Fig. I End Rhy. Fig. I E5 Gil. I 05 r " ., D5 r A5 E5 " r " End Rhy. Fig. IA I Gtt.2 Rhy. Fig. IA I (distortion) 05 r " D5 r .... ., t 'Jf. A5 r Gil. 3: wlFill I ...... ., ~ E (Gil. 2 cont, in slashes) '3f. \I ~ fl: ~ '3f. f~ ~ •• '- .J =# .:. 'Jf. P.M.- - -i .... J =s= I -f- t o r .... of it t A5 E5 Verse OIls. I&:2 ., You need my love, D5 ,. " ., ," ., had._ ba - by, oh so "'- bad.L, You're not the on - ly one I've ev - er FiliI Gil. 3 Copyright@ 1976 Hori Productions America, Inc. and Cafe Americana All Rights for Cafe Americana in the U.S. Administered by Intersong-U.S.A., Inc. All Rights outside the U.S. Controlled by PolyGram International Publishing, Inc. International Copyright Secured All Rights Reserved 15 Rhy. Fig. 2 G B C 3fr G(lype 2) D(type2) ® 2fr And if I say I want to set you_ free, __ don't you know you'll be • 10 ~ C Chorus E D (Gtrs, I & 2 cont. in staff) End Rhy. Fig. 2 ~~ oe.s ® 7fr~ j ~ '.fII- ~ aJ ~ ~ • nus - er - ~ y. ~ r "J{. t t .." ~ Doc Doc ~ r " ~ They 1.,3.,4. call 2. call Rhy. Fig. 3 GIrs. I & 2 me me - - tor tor Love; Love; ~ . ~ ::!!!!: • • :Kf. 4 ......... ~ ::lj = .I .. I ""'" -,j,-" ""'" -S- • • .~ , They They call call me me Doc Doc r ...... - - tor tor Love. _ _ Love. _ _ Call - ing Call - ing Doc Doc - tor tor Love. _ Love. _ 16 To Coda-$To Coda II-$..-. (Gtr. 3 taeet) Gtr. 2: w/Rhy. Fill I, 2nd, 3rd & 4th times r-I've got the cure you're think-ing I am your doc - tor of love. of. __ Call- ing Doc _ tor Love. N.C. - E _ End Rhy. Fig. 3 '--- II. Gtr. 2: w/Rhy. Fig. IA "" " Gtr. I E G D5 A5 E5 *' • • ." ._ s " v ;;;:: 1: --- ~ ,. r , ..... ...... ~. .- --,. - l!P-' .- ~ ..... ~: ./ ~ ~ • - -~ i ..... ..... • • -' -' 2: • --- s~ -:;. '- ./ 't ,-110- of Verse Gtr. I: w/Rhy. Fig. I, I 3/4 limes Glr. 2: w/Rhy. Fig. lA, I 3/4 times G5 D5 A5 E5 And e - yen though I'm full of SIn, _ • in the end you'll let me 10._ • Rhy. Filii Glrs. I & 2 C B 7fr A Sfr D B A 5 fr E5 @ 8 fr ® @ 7fr Sfr Glr.2 Glr. I r ...... r "' 17 Gtrs. I & 2: w/Rhy. Fill 2 Gtr, 3: wlFili 2 G5 D5 A5 E5 You'll let me through there's noth-ing you can do._ You need my lov-in', don't you know it's true.; r G5 ~ tJ ':JIC. ":f!. -I'- ~ -1* ~ ~ ~ ~ D :::ii A7 :It, .. - ':JIC. - 1fC. there So Rhy. Fig. 4 Gtrs. 1&2 an - swer ::: please. _ Get on your knees. _ There are no bills, " .= '-" ~ = • .. = "* r 'J ,. "* -.I.. . ./-.1 :,< ~ "* <:» let ring - - - - - - - - -; ..... . / let ring - - - - - - - - - -; let ring - - - - - - - - - - - _ -; let ring- ~ -t- . a V t -S- -t- it" E5 G5 Jj are no 1* 1fC. 1fC. 1* 1fC. ~ "# "J{. -::;i- ~ "J{. ~ .. IS. • N.C. ~ ~ ::if- fees. Ba - by End Rhy. Fig. 4 Rhy. Fig. 5 I know what your prob-Iem ~ tJ ,-,,"* ~ - ~ = ,. = .. :: , End Rhy. Fig. 5 ...... = ------------1 ..... = J == .. "* let ring - - - - - - - - - - --; ..... -let ring- - - - - - - - - - - - - -; ~ -t- ..,. Rhy. Fill 2 Gtrs. I & 2 P.M. - - -; let ring- - Fill 2 Gtr.3 • /\ r--' P.H.- - ..., - • ,. " , full P.H.- - ..., 18 Otn. 1&: 2: wlRhy. Fig. 2 G Gte. 3: wIFill3 I D , , D C The first step of the cure _ _ IS • a kiss. So 12. Ote.2 "'! __- - - - - - - - -__! _------_! .--_----__! ~ E5 D.S. alCoda Ha. Gte. 1 Fdbk. They - - --------- --------- ---------- Fdbk. -$-Coda Guitar solo GIrs. 1 &: 2: wlRhy. Fig. 4, 3 times Gte.3 (E5) 05 , D , ----- A7 ------ --- ----- • f (distortion) - P.H.- - - - - - -, E5 05 D ~ tJ ....... . ./ -t ./ + I1T -t- . I . r ~ 'l r:'/I-' • ~ - , - rd· +1 1/2 - --:: P.H.- - - - - - -, wlbar / +1 ....... ~ <, dive wlbar full ~ - ----------------, -" _--------- ..,.;/ "5- -tl- , / FIII3 oe, 3 Hann.- - - - - - - - - - - - - - - -, * ** )1 -.J ...... Dive wlbar '..i:I /" -~. . ~ ::!j ./ Hann.- - - -. - .... =, - - - - - - - - - .., Ei • • , • • * Natural harmonic IS located 3/8 the distance between the 3rd and 4th frets on the 6th stnng. ** Both fundamental tone (Low E) and natural harmonic (B) sound simultaneously. 19 A7 E5 --1/2 --full ------= - full • G5 D ~. A7 ~ " " ~~ ~~ ~ ~ 1C-~d'1'I 2 3 I' -I 1* 1* 5 rot----- 1* -t1f full .. ~ Jti.. ~ 'V';Jt ~ 15-----.1 -------------~ 1 \I m -t2-~ 1"5-""-.,. full full l- 15- if- ff .. _-------" f4. tot if- loco E5 Gtrs. I & 2: wlRhy. Fig. S G5 N.C. full In ............ .1------------- full P.M. G D C steady gliss. D D.S.S. al Coda II Ooh. Gtrs. I & 2: wlRhy. Fig. 2 P.H.- - - - - - - .., P.H. _ They --- P.H.- - - - - - - .., P.H. ............ ... full ------------------- full ............... full full full -------- -$-CodaII Gtrs, E5 _ - - - - - - _ 1&2 ; - ~ Chorus Glrs. I & 2: wlRhy. Fig. 3. 2 times N.C. ,. .... Yeah. Glr.3 They call me. (Doc - tor Love.L They call me Doc - tor Love.. • --- 20 A" ~ ~ ~ ... Doc Jf -t tor ~ r ........ ~:'\ :k: I've got -::fE. ~ cure .. you're ~ think- ing ~ the • Call - mg ~ - Love. , ... ::e: JF. J ...... ....... =lsi ./ ~ ~ " " T .... E ., of. _ Call - ing r r "' "' Doc - tor Love. Love. Love. _ ~-- ~--_./ Ad lib solo ---.. ., Love. _ Doc ., tor Love. _ Love.L; Love. _ Love._ Love. _ Call- ing Doc - tor 1. Love., Love., /\~ • • .. . ------------- - full ""'" • • Play 4 times Fadeout E r ....... -r r .... .... - - Doc - tor_ Love._ Call- ing Doc - tor 8~ Love. ) .-----........ ---------------------------------- 1'r . . /\ .1--------full -------------------------------------------------, r-.>. r-:>; ~ 3 ----:!-..." • • .1-- full full • • 21 Christine Sixteen Words and Music by Gene SImmons Intro Moderate Rock J = 144 Gtr. I • N.C. rtf (distortion) P.M.---------------------------------------------~ • Editor's note: Chord Symbols (located above the staff) in this transcription are based on a combination of two different rhythm parts that at times play different chords. Gtt. I E5 AlE N.C. E ~ D5 OlD D E5 AlE N.C. E D5 0#5 A5 N.C. " :!~~:! P.M. •• ,.,! ~ 3f- t 3i l 3f. ~ ~~: P.M. ~3f- ~::ij ~"f ...J " ~ 114 I , • + t ::ij ~ ,.,! , , ,~ " Gtt.2 :I ............... P.M. ~ .. ::ij ~ ::ij 3f. -.J .... ..,I 114 , ... l- i t-S-S- -t, .. , -5- , E5 AlE N.C. E D5 OIB N.C. D E5 AlE N.C. E ~ D5 0#5 A5 N.C. 3f, ~ ~ ... ~ 4 ::ij ... P.M. -r -S- ¥ P.M. z, ===~::ijt :if. =:: 3f. =:: 3f. ~~"f"f ..... / ~ -.J 114 i 1\ , .+ 3f.! :if. ~ -S- t 3f. ., -.t =t: ~ *=- ~ :1ft 1E ...... P.M. 3f. ~ ..... ./ 114 .... , - ::;.,+ Copyright e 1977 Hori Productions America, Inc. All Rights Administered by PolyGram Intemational Publishing, Inc. International Copyright Secured All Rights Reserved , , ,/ 23 Verse E5 ~ . " ::::ii -:,E. -- E6 ME -:,E. E -!L N.C. D5 ~ OlD :::ii D N.C. A5 A6 A5 A6 A5 ~. 05 -i ~ ;rc. 1fC. ;;;;I;;iiiiiI ;rc. ;rc. ~ -:;5. end. all -&;t I've goL 1. She's got me bus - y. 2. She drives me era - zy. She sees me through to • I want to give ~ the her r#- Rhy. Fig. 1 :3f ~ ~ ..f!!!~ !!!!I!!!!!! ~ == ====== "-- ~ J ~ ~ ~ ... ... .. .. ... J C <;» • • =J f f -5- -t- -S- t i~ I t t :t :iJ~ :t..."

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