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EBook - Origami - THE Collection

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"Origami (Collection near 300 models from Internet) “Curious things, habits. People themselves never knew they had them.” Agatha Christie Two Fold Angelfish Beginner (Pureland) by J.C. Nolan (Jan '95) c '95 Fold from a square of paper colored the same on both sides. If two-color paper is used start with the colored side down for a predominantly white model. A 4" piece of paper produces a model 4" high. 1/8 1/8 1/8 1. Please note, the extra symbols are for those who prefer having landmarks. Feel free to estimate. 2. Please note, see previous note. 3. The dotted line is to help show how things line up. 4. Complete the model with a smiley-face. Diagrammed by J.C. Nolan - Feb '95 Or what to make with typing paper By Perry Bailey 1997, 1999 © 8½ by 11 Turtle 1. Fold paper in half lengthwise. 2. Fold in half or at least from corner to corner both directions and then unfold. 3. Fold 2 almost water bomb bases along the lines shown. The two bases will both leave a little bit of paper sticking out, in the next diagram you can see one set the other is hidden. 4. Reverse fold both sets of flaps into the model. 5. Pull the flaps out to the outsides of the model, so that they all lay flat. 6. At this point we will magnify the circled part of the diagram in the next step. 7. Squash fold the flaps outward along the lines shown. 8. Fold down the top set of flaps along the lines shown in the diagram. Valley fold the sides in towards the center, then fold the bottom flaps upwards as shown. 9. This what you should have at the end of step 8. 10. Fold the top down along the fold lines as shown, to create the head. 12. Finished model from the bottom view. 13. The finished model from the top. 11. Fold the the tail upwards along the lines shown in the diagram Acroanthosaurus Begin with a square, white side up, with both diagonals precreased. 1. 2. 3. 180° Valley fold the lower left side to the horizontal center line, bisecting the angle on the left corner, but crease only where the fold intersects the lower right side. Unfold. Valley fold the bottom corner to the center of the square, again creasing only on the right side. Unfold. Valley fold the bottom point up so that the intersection of the edge of the paper and the angle bisector from Step 1 lays on the crease line from Step 2. Rotate the paper 180°. 4. 5. 6. Reverse fold the top sides in to the center line, creating a small preliminary base at the top. The next diagrams are enlarged. Valley fold the sides of the preliminary base at the top to the center line and unfold. Petal fold on the creases from Step 5. 7. 8. 9. Valley fold the petal back down. Valley fold the lower edges to the center, bisecting the lower point on each side, and unfold. Because of the proportions used in Steps 1-3, the side corners of the paper should lie right at the lower tip of the petal fold at the top when the edges are at the center line. Valley fold the top point (including the bird base assembly) down along a line that connects the tops of the angle bisectors from Step 8. This crease should go across the very tip of the petal fold. Unfold. 10. 90° 11. 12. Valley fold the entire model in half, right side over left. Rotate the model 90° counterclockwise (the thick point including the petal fold will be on the left). Valley fold the thick point at the left down to the bottom point and unfold. Valley fold the thick point at the left down to the intersection of the edge and the angle bisector from Step 8 and unfold. 13. 14. 15. Double reverse fold the thick, left point inwards on the crease from Step 11 and back out on the crease from Step 12. Valley fold the upper part of the paper (including the upper part of the thick, petal folded assembly inside) as far upwards as it will naturally fall. The result. Unfold the top flap back down. 16. 17. 18. Turn the paper over from side-to-side. Fold the top flap up again, as in Step 14. Turn over from side-to-side. The next diagrams are enlarged. 19. 20. Valley fold the left half of the model (top flap only) over the right, creating a vertical line connecting the top and bottom points, and unfold. Squash fold the left hand Squashfold the left hand part of the upeprmost flap to flap part of the upeprmost the right. The lower left point left to the right. The lower of the fold the fold many point oflies wherelies where layers are locked together. many layers are locked together. 21. 22. Valley fold the top flap at the lower right of the squash to the vertical central line and unfold. Swivel fold on the crease you made in Step 21. An additional valley fold will be made that connects the corner at the lower left and the upper end of the crease made in Step 21. 23. 24. Wrap the small flap on the surface underneath. Valley fold the topmost flap on the right over to the left, incorporating a rabbit ear in the triangle. 26. 25. Unfold the flap and rabbit ear from Step 24. Turn the model over side-to-side. Fold the petal at right back up along the existing crease. 27. 28. The loose colored triangle that lies on top of the point at the bottom is connected to some paper that is currently trapped inside the model. Grabbing the circled points, pull them gently apart and away from each other to expose it; in doing so, the upper half of the model will also swing up. Pull out the trapped layer of paper, wrapping it around the the raised edge at the lower right (this is a diamond-shaped layer of paper when unfolded; as you do this, or unfold it, unwrap the paper, and refold it). The freed paper at the bottom of the petal fold at right will swing up. This is a difficult move. 29. 30. Now the rectangle of paper is free, and sticking up in this diagram. Flatten the model by pushing the freed flap and the points to which it is connected down. The point at right that is connected to the petal fold goes the left, and the larger point at the bottom valley folds up and to the left on a new crease. Valley fold the top flap down and to the right. 31. 32. 3 2 1 Swivel the flap to the left. The valley fold at right and the vertical mountain fold are on existing creases. The right portion of the flap swivels downwards, and the left side swivels up and to the left. Valley fold over and over three times to narrow the white flap. Only the first crease is new. 33. 34. Valley fold the narrow flap and point at the bottom over to the right and unfold. Reverse fold the flap through on the crease from Step 33. 35. 36. Narrow the colored flap with two swivel folds. One narrows the flap covering the large point at the bottom; the other narows the colored point to the right, but note that it does not continue all the way to the tip of the point. Note that the swivel should go through the intersection (circled) of the flaps beneath (indicated by the x-ray lines). The result. Turn the model over from top-to-bottom. 37. 38. 20-35 x1 Valley fold the large flap at the bottom up as far as possible. Repeat Steps 20-35 in mirror image on this side. 39. 40. Pull out paper under the two broad points at left, unfolding the petal fold and associated paper. Fold the model in half, bringing the top portion down over the bottom. The next series of diagrams are reduced in size. 41. 42. Unsink the chevron-shaped paper from between the layers. Spread squash the angled layer in the center. The valley fold on the top layer is on an existing crease. Repeat behind. 43. 44. Valley fold the narrow flap at the left back down. Repeat behind. Closed sink the flap inside. This is not easy because it's difficult to reach inside the model at this point without unfolding a lot of the model. Repeat behind. 45. 46. Valley fold the tall, narrow flap at right over to the left; repeat behind. Closed sink this flap inside, as well. Repeat behind. 47. 48. Valley fold the upper half of the model down along a line even with the top of the point at left. Valley fold the flap up at an angle. The fold line connects the very tip at the right with the point along the top edge at left. 49. 50. Bring a layer from underneath the fin flap to the surface. This is something like unsinking a layer. This need not be repeated behind; in fact, this move will return symmetry of the layers to the model. Swivel fold the top layers to narrow both the leg and the tail. Note that while the leg is folded along an angle bisector, the tail is not, and the flap goes further down than its present lower edge. Repeat behind. 51. 52. Swivel fold the top layers of the leg and tail again. As before, the leg flap gets bisected; the tail flap should line up with the edge beneath. Repeat behind. Fold the narrow, white flap on the bottom of the tail inside. Repeat behind. 53. 54. Valley fold the narrow flap on top the leg over to the right; repeat behind. Closed sink the flap inside to narrow the leg. Repeat behind. 55. 56. Double reverse fold the point at left up. The first reverse fold is hidden beneath the triangular points and is indicated by the x-ray and mountain fold lines; the second reverse fold is indicated by the vertical valley fold line. Outside reverse fold the flap on the right along the edge of the arm points below. This occurs on an existing crease. The next diagrams are enlarged. 57. 58. Outside reverse fold the flap again, bisecting the arm (lower) points. Inside crimp the arms in half, bringing the head down a bit. In order to do this effectively and without ripping the paper, you will have to push in (like an open sink) the bit of the hump on the back that is hidden inside the neck (indicated by the x-ray line). 59. 60. Outside crimp the head down. Note that the crease lines for the crimp do not meet on the top of the neck — you'll have to spread some paper and push out a bit from the inside to do this. Narrow the neck by mountain folding some of the flap in front inside; as you do this, a small bit of the bottom of the head will be squashed into a gusset inside. Repeat behind. 61. 62. Reverse fold the tip of the snout. Closed sink the point on the hump on the back to make the hump roughly of equal height along the back (it will still get shorter along the tail). Rabbit-ear the thick arm points and swing them upwards. Reverse fold the tips of the leg points to form feet. Repeat both folds behind. 63. Fold hands down at the ends of the arms. Dent in some of the paper on the legs to shape the knee and ankle. Repeat behind. Inside the neck, closed sink some of the middle layer upwards to form a continuation of the hump on the back on the top of the neck. Finished Acrocanthosaurus Alien Fernando Gilgado 1 2 3 6 4 5 7 8 9 10 ASOCIACIÓN ESPAÑOLA DE PAPIROFLEXIA APTDO. DE CORREOS 13.156 - 28080 MADRID CORREO ELECTRÓNICO: aepinet@publinet.com 11 Repetir detras pasos 8 a 10 12 13 Repetir pasos 8 a 12 Desplegar 14 15 18 16 17 19 20 ASOCIACIÓN ESPAÑOLA DE PAPIROFLEXIA APTDO. DE CORREOS 13.156 - 28080 MADRID CORREO ELECTRÓNICO: aepinet@publinet.com 21 22 23 24 26 26 27 28 29 30 Repetir 26-28 en este lado 31 32 33 Repetir 26-29 en este lado ASOCIACIÓN ESPAÑOLA DE PAPIROFLEXIA APTDO. DE CORREOS 13.156 - 28080 MADRID CORREO ELECTRÓNICO: aepinet@publinet.com 34 35 36 36 37 Repetir 32-35 en este lado 38 39 40 Quedan la dos solapas mirando hacia la derecha 41 42 45 43 44 Quedan la dos solapas mirando hacia el mismo lado ASOCIACIÓN ESPAÑOLA DE PAPIROFLEXIA APTDO. DE CORREOS 13.156 - 28080 MADRID CORREO ELECTRÓNICO: aepinet@publinet.com 46 47 48 180º Esta punta será la cabeza 49 50 51 52 53 54 55 1/2 Repetir 47-53 en este lado ASOCIACIÓN ESPAÑOLA DE PAPIROFLEXIA APTDO. DE CORREOS 13.156 - 28080 MADRID CORREO ELECTRÓNICO: aepinet@publinet.com 56 1/4 57 58 1/8 1/16 59 60 61 62 63 64 Las dos puntas al mismo tiempo ASOCIACIÓN ESPAÑOLA DE PAPIROFLEXIA APTDO. DE CORREOS 13.156 - 28080 MADRID CORREO ELECTRÓNICO: aepinet@publinet.com 65 66 67 68 69 70 71 72 Repetir 66-71 73 74 75 76 Introducir las solapas dentro de los bolsillos ASOCIACIÓN ESPAÑOLA DE PAPIROFLEXIA APTDO. DE CORREOS 13.156 - 28080 MADRID CORREO ELECTRÓNICO: aepinet@publinet.com 77 78 79 81 82 80 83 84 85 86 c d b a Unir "a" con "c" y "b" con "d" (abrir el pecho y separar los brazos para formar los hombros) ASOCIACIÓN ESPAÑOLA DE PAPIROFLEXIA APTDO. DE CORREOS 13.156 - 28080 MADRID CORREO ELECTRÓNICO: aepinet@publinet.com 87 88 89 90 91 Estirar la cola lo que se pueda (se despliega parte del modelo) Oreja de conejo en brazos y piernas ASOCIACIÓN ESPAÑOLA DE PAPIROFLEXIA APTDO. DE CORREOS 13.156 - 28080 MADRID CORREO ELECTRÓNICO: aepinet@publinet.com Angel Maarten van Gelder © 1986 Sep Q This angel has coloured wings and a white face and dress. When folded from soft coloured paper you may create a nice mobile for Xmas. K L Q K L F Q L Q F 1 Start with waterbombbase (color inside). 2 3 R F F R R L 11 Fold points R to K. Points Q flatten automatically. Q 12 Raise flap F. The mountain fold through R is only in one layer. 4 5 Fold point backwards. 6 After that turn model inside out. See diagrams 6 and 7 for the result. F L F R Q Q Q Q Q L 13 Repeat on left side. Turn model over. 14 7 Fold white point (head) up. Points Q will raise. Don’t push flat; they will flatten automatically in diagram 11..13! 8 Fold point down. Points Q stay up. Q Q Q Q 9 Fold two flaps so that they will overlap. See diagram 14 for the position of the wings. Turn model over. 10 15 Fold upper edges of the wings between the layers. Fold point down. 16 Detail: head 17 Fold like the preliminary fold. 16 18 19 Front: Turn head flap over to the front. 20 Unfold the head back to diagram 16. Keep front up. 26 27 Curve the wings to get a nice result. Back Front 21 Push sides of head 22 23 in. Folds in the front of the head remain as they are, folds on the back turn from valley to mountain and vice versa. Top will become 3D. Push flat to diagram 23. 24 25 This angel has coloured wings and a white face and dress. When folded from soft coloured paper you may create a nice mobile for Xmas. 1 Start with waterbombbase (color inside). 2 3 4 5 Fold point backwards. 6 After that turn model inside out. See diagrams 6 and 7 for the result. Q Q Q Q 7 Fold white point (head) up. Points Q will raise. Don’t push flat; they will flatten automatically in diagram 11..13! 8 Fold point down. Points Q stay up. Q Q Q Q 9 Fold two flaps so that they will overlap. See diagram 14 for the position of the wings. Turn model over. 10 K L Q K L F Q L Q F R F F R R L 11 Fold points R to K. Points Q flatten automatically. 12 Raise flap F. The mountain fold through R is only in one layer. Q L F F R Q L 13 Repeat on left side. Turn model over. 14 15 Fold upper edges of the wings between the layers. Fold point down. 16 Detail: head 17 Fold like the preliminary fold. 16 18 19 Front: Turn head flap over to the front. 20 Unfold the head back to diagram 16. Keep front up. Back Front 21 Push sides of head 22 23 in. Folds in the front of the head remain as they are, folds on the back turn from valley to mountain and vice versa. Top will become 3D. Push flat to diagram 23. 24 25 26 27 Curve the wings to get a nice result. Angel created & diagrammed by Alec Fehl 1] Colored preliminary fold. 2] Squash fold. Repeat on back and sides. 3] Inside petal fold. (Petal fold, then tuck the triangle underneath.) Repeat on sides. DO NOT repeat behind. 4] Reverse fold point up. Repeat on right. 5] Turn over. 6] Tuck bottom flap inside. Crimp head. 7] Tiny reverse fold at base of head. Repeat on right and behind. Turn over. 8] Reverse fold bottom corners. Squash fold the wing. 9] Valley fold wing over. The completed angel 10] Valley fold side of wing to the left. Fold other side to the right. They will overlap. Tuck one flap into the pocket to lock the wing. (Tuck flap into pocket .) 11] Repeat 8-10 on other wing. 3-D head by pulling out 4 trapped ridges. Turn over. JacAlArt ©1996 Angel Ankylosaurus 1 by Ronald Koh (Singapore) Complex This is a deceptively difficult model, watch the diagrams carefully! Fold from a large sheet (at least 20") of Japanese foil. The model can also be wet folded with good results. A 20" sheet of foil can be easily created by carefully taping four 10" sheets together. This doesn't "count" as taping because you are still working from a square. 2 3 4 5 6 7 8 9 10 11 12 D i a g r a m m e d b y J .C . N o l a n - M a r '9 5 13 14 15 1/48 5/96 1/96 20 17 16 18 19 T h e s e d is ta n c e s a r e e x tr e m e ly im p o r ta n t, 5 & 2 2 b lo c k s e a c h . C h e c k th e o th e r s id e to v e r ify la n d m a r k s . 23 21 22 24 25 26 10/96 C r im p @ 1 / 9 6 , c a u s e s a s p r e a d s q u a s h . U s e th e u n d e r ly in g la y e r s to s h o w w h e r e to fo ld . C re a s e 1 / 1 9 2 th ro u g h tw o o u tte r 1 / 9 6 th s . 1/96 18/96 27 28 These are Swivel folds. 29 22/96 30 31 32 22/96 44/96 30/96 33 N o te : if e v e r y th in g h a s b e e n d o n e r ig h t, th e le g s w ill n o t g e t c a u g h t u p o r g e t in th e w a y o f th e c rim p in g . 1 2 3 4 5 24/96 6 7 8 34 35 1 234 5 67 8 12/96 36 37 38 1/96 39 40 40a 40b 40c 41 40d 40e 40f 42a 42b 42 42c 42d 43 44 C a r e fu lly c r im o f p ap er, k eep u n em cu m b ere th in n e r th a t w m a k e a d ju s t m p o n ly le g s a s d aspo ay. D o e n ts a s th e to p s e p o u t o f th e s s ib le , th e n o t c r im p n ecessary . era wa mo th e te d la y e r s y and d e l w ill b e head , R e p e a t s te p s 4 0 a th ro u g h 4 0 f s e v e n tim e s o n e a c h s id e o n th e n e w c r im p . T h is is e a s ie r th a n it lo o k s ! D o th e c r im p fir s t, & th e n p e ta l fo ld . B e c a r e fu l th a t th e p o in ts a t th e b o tto m (o n th e o th e r s id e ) s ta y s h a r p a n d d o n o t m o v e . 45a 45 45b 45c 45d 45e 45f 46 47 48 49 50 51 52 53 54 55 56 57 T h e s e a re a c tu a lly S in k s , n o t r e v e r s e fo ld s . 58 59 60 T NO illu s ph th l fin a e e r th Fo e th d e d in E: us lu on a ti p h in c w in g s . tr a ra t o g in a l d r o r ig eo Bebé Parasaurolopus Fernando Gilgado Gómez 1 a 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Sacar la punta que está dentro 17 18 19 Badger 1 2 3 4 5 6 7 8 9 10 11 12 13 14 Repeat steps 4 to 9 on the left side 15 Crease tip down just a little below the point behind Crease a single layer down to half way between the two horizontal creases Inside reverse folds Wrap one layer to the front (colour change) 16 17 18 © Robin Glynn September 1998 Badger 19 20 21 Fold sides towards the base of the 'imaginary' square 22 23 24 25 26 27 90º 28 30 29 31 33 32 Make 4 inside reverse folds © Robin Glynn September 1998 Ballerina Maarten van Gelder © 1998 Mar The Ballerina is a variation on my Human figure. Use a light color for both sheets. Start both parts coloured side as shown to get a complete white figure. Created on the way to St. Petersburg. The daughter of Sergei Afonkin was on the ballet school and figured in the theatre. 1 Top part of body 2 3 4 5 6 7 8 9 10 11 Pull hidden flap and fold over 12 Top part of body finished 13 Bottom part of body; precrease 14 15 16 17 Tutu is now 3D 18 Bottom part finished 19 Insert bottom part in top part in sink of diagram 4 20 Lock parts by folding tip inside bottom part 21 Form arms and legs 22 Form hands 23 Form feet Dollar Bill Basket (Part 1 of 2) Model Created and Diagrammed by A. Anselmo 12/93 anselmo@thermsa.eng.sunysb.edu Found, I’m sure, by others... A B 4) This is what you are aiming for. 1) Fold the bill in fourths in both dire..."

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EBook - Origami - THE Collection

- 3 books in PDF- Some easy stuff, some more complicated.- All you need is a table and some paper!ThanxMany thanks to the dude/dudette that actually compiled this. Atruly wonderful and admirable work! Also, of course, thanks tothe people that came up with the models in the first place. I,most humbly...
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